Tuesday, 31 October 2017

Statement of Intent

Broadly speaking the primary purpose I see for extended practice is to build a portfolio, which upon graduation will help me best promote myself to the creative industries that most interest me. As it stands currently I am interested in 3 main contexts of illustration: editorial, adult publishing and illustrative products.

My context of practice project aims to improve the visual aesthetics of my practice, therefore I think that in this module I should focus on both the content and possible contexts for my work. The two modules will then hopefully feed into each other to form a more directed personal and professional practice.

I would like to capitalise on my ability to think conceptually, and form images based on symbolism or visual metaphor to tackle complex subjects. Personally I am most interested in either environmental or social issues. This will guide the texts or articles I choose to illustrate for either editorial or publishing purposes.

To approach such subject matter, I will have to do in-depth research so that I can convey the key issues at hand in an appropriate and considered manner. Editorial and adult publishing are both highly audience-centric forms of illustration. I would like to use such briefs to develop my skills in condensing complex subjects into simple and direct images that will captivate a viewer’s attention.

I would like to produce images that are well crafted and have a feel of the handmade – personally favouring the result of print processes such as screen-print, mixed-media collage or gouache painting. To do this I see it necessary to invest a good amount of time into producing the final outcomes for each brief; however also see it important to develop a more systematic and instinctive method of process that will better suit contexts such as editorial, in which there can often be a very quick turn around.

While I still have access to college facilities, I would also like to take the opportunity to be more experimental in my practice – using the print, as well as even the woodwork and ceramic workshops. As most of my chosen briefs for editorial or publishing will be very content and research driven, I would like to leave myself some room for non-cognitive image-making. This could lead to producing some illustrative products, prints or zines.

To document my progress I think I will find it most useful to leave my initial ideas, thumbnailing and practical development within my sketchbook. The blog I see mainly as a place for key points of reflection and evaluation both during and at the end of each brief. I also like to use it as a point of reference for contextual research.

I think the most important point with this module is to keep it fun and manageable. Doing things that I enjoy will hopefully lead to a portfolio that reflects my interests, and therefore generate work after graduation that does the same. For the purpose of time-management I will prioritise competition-briefs that have more immediate deadlines, but I also think it will be essential to set regular goals within personally-led briefs so that there is an element of consistency in the production of work.

Friday, 27 October 2017

Tutorial with Ben

Two focuses of editorial and publishing. 

Editorial (Self-directed Brief)

  • Importance of variation in format and subject matter. 
  • Formats: full page illustration, cover illustration, spot illustration, square format, portrait format, landscape format. 
  • Deadlines depending on the format e.g. full page, give yourself 2 weeks. 
  • Challenge yourself with content. 
  • Source articles from : The Guardian, New York Times Op-ed & Book Reviews, Popshot magazine. 
Publishing (Competition Briefs)
  • Book Illustration competition : Create 3 illustrations and a binding design for The selected adventures and Memoirs of Sherlock Holmes (by Arthur Conan Doyle). 
  • Penguin Random House :  Animal Farm (by George Orwell), A brief of history of time (by Stephen Hawking), Noughts & Crosses (by Malorie Blackman). 
Because these two projects/contexts are very heavy in content and require in-depth research leave yourself some room for play and non-cognitive image-making.
  • Mono-printing
  • On location/observational drawing (Yorkshire sculpture park, Hepworth Wakefield)
  • Play in sketchbook
  • Make drawings/prints into zines or run of prints?

Thursday, 26 October 2017

Through Experiment

What are you afraid of..?

One of my common fears in relation to anything in life is the unknown. Not knowing if I am going to financially stable or what my work day is going to be like after graduation is scary. My worst case scenario is to work from home and be isolated in my practice, as I know I am most happy and productive when my work is separate from my social life. 

What are the comfort zones in your practice?

The primary comfort zone in my practice is simplicity. I prefer my illustrations to be simple in their composition, form and colour; however I think if I were to push these boundaries and produce a more complex image this could potentially achieve something greater than my current work. 

What are the strengths of your practice? 

I think a strength of my practice is that I communicate content conceptually using motifs or symbols. My technical abilities across both handmade and digital processes are also to a high standard. 

What is holding you back? What are you bored with? 

Currently, my aspirations to be like other working illustrators is holding back the progress within my own practice. I need to focus and allow myself to develop a way of working that can become my own USP. 

Thought Experiment illustration:


For this illustration I choose to portray my biggest fear in relation to being a freelance illustrator - which is to be isolated in my practice working within the four walls of my room.

To generate the idea for this image, instead of mind-mapping, I worked visually making a series of exhaustive thumbnails - returning to this process of idea generation made me realise that it may be more effective in producing visually appealing outcomes, as it forces me to focus on both the conceptual and visual aspects of image-making.

Saturday, 21 October 2017

Initial brief selection / ideas

Competition Briefs

The Book Illustration competition :- 

Create 3 illustrations and a binding design for "The selected adventures and Memoirs of Sherlock Holmes" by Arthur Conan Doyle. 

Deadline : Wednesday 17th January 2018

Penguin Random House, Student Design Award :- to be announced

YCN :- to be announced

Secret 7 :- to be announced 

Self-Directed Briefs

Save the Waterberg Rhino Christmas Bizarre :- 

Create a series of handmade Christmas Cards. 

Deadline : Tuesday 5th December 

Editorial a Week :-

Produce an editorial a week from a selected article. 

NEST magazine :-

Produce an illustration based on the theme of Red. 

Deadline : Sunday 5th November 

Other possible avenues :

Contact Independent Leeds Mag

LCA x LCM collaborative facebook page